Bibliography
Selected Bibliography
BOOKS & CATALOGUES
Thinking Big: Concepts for Twenty First Century British Sculpture. Introduction by Thomas Krens; essay by Tim Marlow. Cass Sculpture Foundation / Peggy Guggenheim Museum, Venice. ISBN 0-9537794-3-2.
Gathering Dreams 100: Beijing Olympic Sculptures Collection. Culture & Art Publishing House, China. ISBN 978-7-5039-3608-1/J.979.
Public Art for Beijing Olympics: City Sculpture Proposals. Featuring The Competitor and Strange Meeting. ISBN 7-5074-1794-8.
Sculpturing Brilliance: Public Art & Public Space. Changchun Publishing House, 2011. English/Chinese, 375 pp. ISBN 978-7-5445-0632-8.
Dialogue with the Emperor Qin’s Warriors. Olympic Park, London. ISBN 9781911217091.
John Atkin: The Big Idea. Albemarle Gallery, London, 2008. ISBN 978-0-9559349-0-2.
The Navigator. Christchurch Mansion Museum, Ipswich. ISBN 0-906688-40-X.
Scorched Earth. Philadelphia Art Alliance. ISBN 1-900856-41-7.
Distant Voices. ISBN 1-900856-30-1.
Cut, The Made and the Unmade. ISBN 0-9704605-0-3.
Made in England. Jinji Lake Art Museum, Suzhou, China.
Blue Symphony. NanDaiHe International Sculpture Exhibition, China.
JOURNALS, REVIEWS & MEDIA
Sculpture Journal. “Sculpture that declares the space around it,” by Robert Morgan, pp. 50–54.
Sculpture Magazine. “The Sculpture Olympics 2008,” by Zhu Yilang, Vol. 27, No. 9, pp. 54–55.
Art & Architecture Journal, No. 66/67, Autumn 2008. Feature, p. 85.
Artists & Illustrators. “First out of the blocks,” by Carol Cordrey, Issue 265, pp. 11–12.
San Francisco Chronicle. Review of Hard Bop and the Fillmore Center public art and regeneration project, San Francisco.
7x7 Magazine / City Arts, San Francisco. Hard Bop, p. 135.
ABC7, San Francisco. Hard Bop — interview with Don Sanchez.
Art & Architecture Journal. “Commissions & Projects: Pound Mill, Staines,” p. 57.
Green Places. Sutherland Lyall, review of Pound Mill public sculpture commission, May 2006.
Art & Architecture Journal, No. 63, Autumn 2005. Review of NZ323135 public sculpture, p. 56.
Art & Architecture Journal, No. 61, February 2005. Review of Dal Fabrro’s Chariot, Liverpool.
a-n Magazine, June 2004. “Man and Machine,” review of John Atkin exhibition, Chappel Galleries, Colchester.
Arts Quarterly, New Orleans Museum of Art. Daniel Piersol, “From Another Dimension: Works on Paper,” Vol. XXVI, Issue 2.
The Architects’ Journal, 26 June 2003. Sutherland Lyall, “Metal Works Corten: Under the Weather,” featuring The Navigator, Ipswich.
Navigation News. Review of The Navigator. ISSN 0268-6317.
Art & Architecture Journal, No. 59. Review of The Navigator and The Signaler, p. 48.
Galleries. Tim Fargher, “John Atkin,” Issue 241, May 2003. Review of exhibition at Christchurch Mansion Museum, Ipswich.
Sculpture Magazine, Vol. 21, No. 7. Review of Scorched Earth, Philadelphia Art Alliance.
Sculpture Magazine, Vol. 20, No. 8, October 2001. “Public Art Competitions in Sculpture Education” — John Atkin in conversation with Carol Sterling.
Review, Vol. 3, No. 4, February 2001. Leesa Fanning, “The Made and the Unmade,” review of solo exhibition at Sherry Leedy Contemporary Art, Kansas City.
The Kansas City Star, 19 January 2001. Review of solo exhibition at Sherry Leedy Contemporary Art.
INSTITUTIONAL & BROADCAST MEDIA
British Council. John Atkin in China — feature and visual arts coverage.
BBC News. Coverage of Strange Meeting and the Beijing Olympic Cultural Olympiad, 2008.
AXIS. Artist feature and profile.
ABC7, San Francisco. Interview with Don Sanchez concerning Hard Bop and the Fillmore Plaza commission.